VCE English and EAL, English Language, and Literature guide - units 3 & 4

Copies of the text

• Alias Grace by Margaret Atwood

Study guides

• CAE notes on Alias Grace

Books on the author and her novels

• Print and e-Books on Margaret Atwood

Reviews

• Kimmel, D. (1999) In search of alias grace: On writing Canadian historical fiction. The Canadian Historical Review, 80(2), 312-313.
• Auerbach, Nina. Alias Grace The Women's Review of Books, vol. 14, no. 7, Apr. 1997

Analysis

• Peters, Joan Douglas. Feminist narratology revisited: dialogizing gendered rhetorics in Alias Grace.  Style, vol. 49, no. 3, fall 2015, pp. 299-320
• Ravizza, E. (2019). Exploring otherness in Margaret Atwood's Alias Grace. Ethical and epistemological reflections on historiographic metafiction British and American Studies, 25, 143-152,282.
• Lovelady, Stephanie. I Am Telling This to No One But You: Private Voice, Passing, and the Private Sphere in Margaret Atwood's Alias Grace Studies in Canadian Literature, vol. 24, no. 2, 1999, pp. 35-63.

Further resources

• Gale Literary Sources
• SLV catalogue

Copies of the text

• As I lay dying by William Faulkner
• Online edition at the Internet Archive

Reviews

• The Observer

Analysis

• Hannon, Charles. The Function of Function Words in William Faulkner’s As I Lay Dying  Faulkner Journal, vol. 29, no. 1, 2015, pp. 3–21.
• Ineke Bockting. When a Mother Lays Dying or The Creative Power of Words: A Pragmatic Analysis of Addie's Section in William Faulkner's As I Lay Dying ."The Wagon moves" : new essays on William Faulkner's As I Lay Dying, 34 (2), pp.71- 95. (external site) 
• Ryan, Tim A. A Little Music Ain't About the Nicest Thing a Fellow Can Have”: Faulkner’s As I Lay Dying and Country Songs The Mississippi Quarterly, vol. 67, no. 3, 2014, pp. 347–74.
• Marie Liénard-Yeterian. William Faulkner's As I Lay Dying: What the Grotesque is Trying to Say At ”The Wagon moves” : new essays on William Faulkner’s As I Lay Dying, 34 (2), pp.97-113. (external site)

Further resources

• Gale Literary sources
• SLV Catalogue

Copies of the text

• Dracula by Bram Stoker
  • Annotated text
  • Authoritative text

Study guide

• Teacher text guide and worksheet

Analysis

• McWade, Chris. Bram Stoker's Dracula as Saviour: Nietzschean reading Journal of Literary Studies, vol. 29, no. 4, Dec. 2013, pp. 36+
• Radick, Caryn.Complete and in Order": Bram Stoker's "Dracula" and the Archival Profession The American Archivist 76, no. 2 2013: 502–20
• Bowles, Noelle. Crucifix, Communion, and Convent: The Real Presence of Anglican Ritualism in Bram Stoker's Dracula Christianity and Literature 62, no. 2 2013: 243–58.
• Khader, Jamil. Un/speakability and radical Otherness: the ethics of trauma in Bram Stoker's Dracula  College Literature 39, no. 2 2012: 73–97

• Richards, Leah. Mass production and the spread of information in Dracula: "proofs of so wild a story English Literature in Transition 1880-1920 52, no. 4 (2009): 440+

Further resources

• Gale Literary sources
• SLV catalogue

Copies of the text

• The Yield by Tara June Winch

Reviews & analysis

• Marks, Suzanne Tara June Winch’s The Yield Newtown Review of Books 20 September 2020 (online review)
• Wagner, Erica.The Yield by Tara June Winch review – reclaiming Australia's indigenous voices.  The Guardian, 23 Jan, 2021
• Neerven Ellen van The Yield Australian Book Review August 2019, no. 413 (online)  

Copies of the text

• Drylands : a Book for the World’s Last Reader by Thea Astley. 
  • The Library holds print copies and also legal deposit online copies - note access to the online copies is restricted to use within the Library due to publisher conditions.

Analysis

• Xiuqing,Zhang  Ecofeminism in Thea Astley’s Drylands  Advances in Language and Literary Studies  vol. 11 no. 3, 2020 p. 42-45
• Brayshaw, M. The death of Australian literature in Thea Astley’s Drylands. Queensland Review, 26(2), 2019, 256-268.
  • this entire issue of the Queensland Review is about Thea Astley's work
• ‘Potter,Emily No Nails New under the Sun’ : Creativity, Climate Change, and the Challenge to Literary Narrative in Thea Astley’s Drylands TEXT Special Issue Website Series, no. 40, 2017

General articles about her work

• items discussing her work from our Gale Literature database

Copies of the text

• The Remains of the Day by Kazuo Ishiguro

Study guides

• Kazuo Ishiguro’s The Remains of the Day : a Reader’ Guide by Adam Parkes.  2001.

Analysis

• Patraş, Roxana. A Rhetorical Approach to Kazuo Ishiguro's The Remains of the Day Philologica Jassyensia 13, no. 2 (2017): 217-224
• O'Brien, Susie.Serving a new world order: Postcolonial politics in Kazuo Ishiguro's The Remains of the Day Modern Fiction Studies 42, no. 4 (Winter, 1996): 787-806,
• Mohamed Fathi, H. K. Reconstructing the Past as a Means of Rationalizing the Present: A Study of Kazuo Ishiguro’s The Remains of The Day International Journal of Applied Linguistics & English Literature, 6(4),1989, 173-183
• Ingersoll, Earl G. Desire, the gaze and suture in the novel and the film: The Remains of the Day Studies in the Humanities, June-Dec. 2001, pp. 31+
• Rothfork, John. Zen Comedy in Postcolonial Literature: Kazuo Ishiguro’s The Remains of the Day" Contemporary Literary Criticism, edited by Jennifer Stock, vol. 439, Gale, 2019.  Originally published in Mosaic, vol. 29, no. 1, 1996, pp. 79-102.

Further resources

• Gale Literary sources
• SLV catalogue

Copies of the text

• The plains by Gerald Murnane

Analysis

• Wylie, John. Landscape as Not-Belonging: The Plains, Earth Writing, and the Impossibilities of Inhabitation. Philological Quarterly, vol. 97, no. 2, spring 2018, pp. 177+.
• Genoni, Paul. Gerald Murnane Contemporary Literary Criticism, edited by Lawrence J. Trudeau, vol. 362, Gale, 2014. pp. 293-304.
• Birns, Nicholas. Indefinite Desires: Love and the Search for Truth in the Fiction of Gerald Murnane.Contemporary Literary Criticism, edited by Lawrence J. Trudeau, vol. 362, Gale, 2014. Originally published in Southerly, vol. 55, no. 3, 1995, pp. 48-62.

Reviews

• McInerney, Harriet L. Apprehending Landscapes: The Uncanny and Gerald Murnane’s The Plains Antipodes  31, no. 1 (2017): 133–144.

• Gillet, Sue. Gerald Murnane’s ‘The Plains’: A Convenient Source of Metaphors. Ariel 26, no. 2 (1995): 25–39.

• Adam, Ian. The Referentiality of the Deconstructed: Gerald Murnane’s “The Plains Westerly Vol. 36. Perth: University of Western Australia Press, 1991.

Copies of the text

• Picnic at Hanging Rock by Joan Lindsay

​Analysis

• Identities in the Australian gothic
• Caterson, Simon.True fakes [The Way That Fiction Can Somehow Become Fact.].” Eureka Street 16, no. 2 (2006): 34–35.
• Tilley, Elspeth. “The Uses of Fear: Spatial politics and the white-vanishing trope Antipodes 23, no. 1 (2009): 33–41.

Video

• Joan Lindsay's Picnic at Hanging Rock (external site)

Further resources

• Gale Literary sources
• SLV catalogue

Copies of the text

• The Ladies Paradise by Emile Zola
  • editions are available online via the Internet Archive

Analysis

• Clulow, Val, and Slyvia Sagona.Retail store atmosphere: the art of seduction 1902 and 2002 . (Research Paper)." International Journal of Customer Relationship Management, vol. 5, no. 3, Dec. 2002, pp. 195+.
• Ramazani, Vaheed. Gender, war and the department store SubStance, vol. 36, no. 2, 2007, pp. 126–46
• McGrath, Caitlin. Crippled by sight: detail in The Ladies' Paradise Modernism/Modernity 21, no. 3 (09, 2014): 641-664,

Further resources

• Gale Literary sources
• SLV catalogue